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Softball Pitching Edge

The Softball Pitching Edge Book and Video (available separately) provides athletes, beginning and advanced with instruction on grips and motions required for all major pitches.

This resources are highly recommended for athletes that have mastered the fastball and are looking to add new pitches to their game!

Cheri Kempf, one of the top pitching coaches in the country introduces The Softball Pitching Edge Video and wrote the accompanying book.

The video is 55-minutes long. It is an ideal instructional tape for both athletes and coaches. An excerpt from the book is available below.

While the athlete can see examples of the grip and motion by the pitchers, the coach will receive instruction in how to set-up drills to assist the instruction and work with the athlete.

The Softball Pitching Edge Video covers most of the major pitches used in fastpitch softball today:

  • Fastball
  • Drop
  • Rise
  • Curve
  • Screwball

Each of the pitches cover the grip and body mechanics recommended to succeed at mastering the pitch. There is an emphasis on splitting the motion for the top and lower parts of the body.

The fastball is introduced first, with emphasis on the powerline and stride for the lower half of the body. This is a good introduction and reminder, because all other pitches are based on these fundamental mechanics. Explanations of the "C-grip" (most commonly taught) and the "U-grip" are made. It was interesting that the use of the "U-grip" was encouraged for some pitches!

Drills for working on stride length and saying on the powerline were covered.

After the fastball, the drop and rise balls were taught. More emphasis was put on the grip and release. The drop ball training covered the roll-over drop in detail, but also covered the peel-drop to a lesser extent. The concept of having the body over the release point on the drop and behind the release point on the rise were shown very clearly. Simple drills using a rope to help the pitcher judge the drop or rise of the ball were very good tips!

The curve and screwball can be tough to learn, because the mechanics of the wrist and the grip are difficult to see in full motion or understand if looking at still photos. This is one time when slow-motion video is an invaluable tool at highlighting these pitches. A great tip using a "pool noodle" was show to help the pitcher judge how well the ball is breaking on each pitch.


Excerpt from
"The Softball Pitching Edge" Book

PROPER MECHANICS

Throughout this book you will notice an emphasis on correct fundamentals and basic mechanics. These mechanics, whether they pertain to throwing the ball fast and accurately or to throwing an advanced pitch, are the foundation for the pitcher's success and career longevity. The concept of pitching breaks down to performing an aggressive and sometimes even violent action with precision. To accomplish this contradiction, the pitcher must develop a complex set of skills.

To obtain positive results, the pitcher must become skilled at three basic components of mechanics. First is the need for consistency. If the pitcher expects to have pinpoint accuracy as well as command of movement into a small, defined zone, consistency with body movements is vital. By understanding elements such as stride location and length, release point and follow-through, and posture and balance, we can correct mistakes or repeat success.

Second, because the name of the game is fast, the pitcher must maximize her effort so that she can reach her speed potential. By using total effort, the pitcher will accomplish two things. She will gain strength on a routine basis and push her potential threshold to become faster. Also, by using total effort every time, the pitcher will be able to attain a consistent sense of timing for release points, thus improving her accuracy.

Third, creating practice habits and routines is important in establishing and setting the desired movements. It is one thing to hear, feel, or see instruction on a given technique. It is another thing to make that action a habit. Because it is impossible for the pitcher to review the proper execution of every movement on every pitch, she must create habits to repeat success.

STRIVE FOR CONSISTENCY

If you were to set up a game at a carnival in which you gave participants a small ball and asked them to make a backward circle with their arms as fast as they could, let the ball go, and hit a 17-inch-wide, 3-foot-high target at a distance of 35 to 43 feet, you probably wouldn't give away a whole bunch of teddy bears! The truth is that the whole scenario is not as easy as it is sometimes made to appear, particularly when that box becomes a 6-inch-by-6-inch square at the discretion of the umpire. So, to accomplish this mission of delivering a ball accurately to a target with a fast underhand motion, consistency will be extremely important.

The goal of the pitcher is to do the same thing each time to gain the same successful result. If the pitcher also knows what is supposed to happen with the body and where and when the actions should occur, she can more easily correct mistakes that will crop up from time to time. Having this awareness is just the beginning. To be consistently effective, the pitcher must also respond successfully to many mental demands. In both practice and performance, the pitcher needs to be aware of body movements and pitch results that relate to speed, location, and movement.

Remember also that the only way to gauge speed and hold a consistent speed is to use total effort with each pitch. Repeating total effort is much easier than repeating some percentage of total effort. Accuracy is the pitcher's biggest asset at any level. The ability to throw the ball to a location assumed to be a weakness of the hitter has paved the way to success for many pitchers.

To gain consistency with pitch location, it is necessary to create correct habits in body posture, stride placement, arm circle, and follow-through. To help develop these habits, a power line, or line of force, will be used as a basis for effort, energy, balance, and efficiency. In establishing fundamental skills, precision of body positioning and particular placements is of the utmost importance.

After the pitcher establishes correct habits, her success will rely on that one key ingredient - practice. If you want to be a great free-throw shooter in basketball, you have to shoot a lot of free throws! The same goes for becoming an accurate pitcher. There is no substitute for correct repetition. Pitchers must be willing to work hard by themselves and with themselves - always pursuing perfection on a particular area or problem.

MAKE CORRECTIONS ONE POINT AT A TIME

In learning new skills, patience may be the single most important quality. The pitcher must be patient when working on fundamentals and try to remember how difficult it was when she first tried to rub her stomach and pat her head. She must know that the mind perceives the upper and lower body as separate entities and that each is involved with an entirely different action in the pitching motion.

A circular movement with the arm dominates the upper body. Equally as important for the upper body is overall posture and the ability to maintain it throughout the pitch. The lower body moves linearly, involving an initial stride forward and a powerful drive of the back leg to deliver the total body and create efficiency. It is easy for the circular motion of the arm to dominate the pitcher's attention, making it difficult for her to focus on posture and lower-body mechanics.

In practicing fundamentals, especially early on, the pitcher should try to separate the two actions as much as possible so that she can concentrate on one aspect. For example, when working on the arm circle, follow-through, or posture, she can perform drills on one knee so that her legs do not distract her attention or create bad habits of their own. Conversely, when working on stride and drive moves with the lower body, she can omit the arm circle completely or remove the ball so that her entire focus is on the legs. Anytime the pitcher has the ball in her hand, it tends to draw most of her attention.

One of the biggest mistakes in developing technique is stressing accuracy. Pitchers should throw in a controlled environment (preferably into a net) where accuracy is not important or even perceived. It is impossible to make form adjustments and control the ball at the same time.

The pitcher should create the fundamental habits first, then work on control. In making corrections, she should focus on eliminating one problem at a time. By working in this manner, the whole process will be much less overwhelming for the new or inexperienced pitcher or the pitcher who has developed bad habits and is not fundamentally sound.

When working on mastering or correcting a technique, the pitcher should minimize the importance of throwing into the strike zone. This idea applies whether the athlete is a 7-year-old beginner pitching for the first time or a 20-year-old college junior trying to correct a movement that has become a habit and is causing repeated injury. The pitcher should keep in mind the following tips:

  • She should abandon control to work on the adjustment. Making the correction may require five minutes of warm-up or several weeks of movement mastery.
  • Pitchers should be familiar with props that they can continue to go back to in workouts such as power lines, Spinners and oversized balls, balance beams, netted stations, and so forth.
  • By focusing on one correction at a time, pitchers are much more likely to see some immediate success. They should try to remain encouraged by noting aspects that they are performing correctly or even just improving slightly. Doing so will help avoid the tendency to view corrections as overwhelming.
  • Some athletes need to hear the corrections repeatedly. Others may need to feel the corrections, and still others must see them. An important goal in training is gaining the ability to self-correct.
  • In making corrections, three options are available:
    1. Hearing the mistake or correction. (Example: "You're falling off balance to the right.")
    2. Hearing about or creating a trigger to help with the correction. (Example: "Imagine yourself on a balance beam.")
    3. Physically forcing the correction. (Example: The pitcher actually stands on a balance beam.)

Sometimes athletes can make adjustments only by using the third option. This circumstance is a negative indication because a balance beam cannot be used during competition - the time when adjustments must be made. The pitcher should aim for being able to correct with oral cues or triggers most of the time.

Another coaching tool for corrections is for the athlete to actually see the mistake or correction through videotape or still shots. This method is discussed throughout the book and is effective if used periodically. The previous scenario, however, pertains directly to the everyday training session, which does not always allow the extensive time required for filming and viewing videotape. Also, this method is much like option 3 in that it is not a practical method for pitchers to make adjustments required during competition.

BE COACHABLE

One of the common requests I receive from parents is to evaluate their child - to assess her skills and answer the question, "Does she have what it takes?" In working with pitchers over the years, I have found the most important quality of an athlete is not natural talent, physical prowess, or even instinctive reactions. Those qualities are wonderful when they come in an athlete who loves the game and desires to excel. But the most important quality in developing an athlete, particularly a pitcher, is the athlete's ability to make adjustments.

Pitching requires strategy, assessment, and constant adjustments. The pitcher must adjust to the hitter's stance, her swing, the game situation (score, number of outs, inning, etc.), offensive strategies, the weather, the ground, the ball, and the umpire's strike zone. Pitchers must constantly analyze and adjust, whether in practice or in a game, to what their bodies are doing and consequently what the ball is doing. So a supertalented athlete who is unable to adjust instantly, and perhaps even constantly, will have a difficult time succeeding as a pitcher.

DIFFERENTIATE STYLE AND TECHNIQUE

An important point concerning fundamental learning and development is the difference between style and technique. Often, the characteristic most noticeable about a particular pitcher, such as a windup or a glove slap to the leg, is not technique at all. Such moves are the style of that particular pitcher. Style is often the creation of the pitcher and will give her a certain trademark or unique appearance before, during, or after the delivery.

Sometimes a pitcher's style can distract the batter and work to the pitcher's advantage. Other times, style is simply a way to create momentum or perform another practical function such as recovery into a defensive position. At any rate, style is best developed by the individual athlete, not her coach.

For instance, some coaches teach every pitcher the same windup approach or the same mound presence and appearance. This cookie-cutter approach turns the pitcher into an exact replica of every other student, eliminates individualism, and takes each pitcher away from her comfort zone. One pitcher may feel comfortable with a certain movement. Another pitcher may feel stress or discomfort with the same move. Because style movement is personal preference and not a necessary function like fundamental movement, coaches should let each pitcher create something that fits her.

Ralph Raymond, 1996 and 2000 Unites States Olympic head softball coach, used to refer to a great defensive play followed by a muffed throw to the base as "a quarter play and a nickel throw." I sometimes refer to pitchers as having a quarter windup and a nickel pitch. Pitchers should avoid putting too much attention on their style early on and too little attention toward technique. In addition, they must be sure that the style move will not detract from proper technique. Technique is the steak; style is just the sizzle.

THE FINAL PITCH

Finally, in looking at the concept of pitching, the pitcher must know that fundamental techniques are the foundation on which everything else will be built. If that foundation is solid and sturdy, based on strong discipline with correct mechanics, then building upward will be a natural progression. But if the foundation is shaky, any success that comes should be savored because it will likely be short-lived.

The pitcher must not underestimate the importance of getting things right along the way. Athletes, parents, and even coaches often accept mistakes simply because the pitcher is currently succeeding or winning. More often than not, that pitcher has some natural speed and for the moment can outmatch her opponents. Given time, however, hitters will catch up to her speed. Location and movement will become the elements that determine her success.

A pitcher who has only short-term goals is not willing to take a step backward today to take three steps forward tomorrow. This step backward is sometimes necessary in breaking down fundamental mistakes. Short-term goals are fine, but long-term goals are an absolute necessity.

The pitcher must be sure that her foundation will permit growth and a healthy future. She should understand that improvement sometimes means going backward first. Although a "granny shot" in basketball will score two points, it is not a technique that will take the player to the upper level of competition.

THE SOFTBALL PITCHING EDGE
Cheri Kempf
Paperback • 192 pages
ISBN 0-7360-3825-6
$19.95 ($31.95 Cdn)

Check for pricing and online ordering here.

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